Still tinkering with my set-up so I decided to add a top light.
I used my beloved Anglepoise which had a daylight bulb. Correcting the colours was an absolute nightmare, daylight fighting against tungsten.
So I tried with another light, this one also had tungsten light. This was a much better option as the correction factors were the same in Photoshop as before.
My next step is to try manual focus, the autofocus is concentrating on the closest part and with a narrow depth of field it leaves the rear part of the model blurry.
This is a picture heavy post and totally off topic, so feel free to disregard.
I spent six days working at the Electric Love Festival as a runner for logistics. This was right on my doorstep, literally.
Longitude 13° 9’20.56″E
Zoom out and directly South you’ll see the Salzburg Ring racetrack. This was where it was at.
I have to say that I hit a wall after six days of over 35 degree temperatures and eleven/twelve hour shifts. I was thirty years older than most of the guys I was working with, but I think I managed to hold my own. The music seemed to be the same as what I was listening to twenty odd years ago and I was disappointed that there were no live-acts only DJs. But it was an experience and the money will be useful.
Anyway for your consideration are some impressions of my time there.
This was most impressive stage, a vast ape.
This is a topic I’ve been having some problems with. Now things are starting to settle down a little with the house I thought it was time to get a little consistency with my model pictures.
There are a couple of blogs that I occasionally look at where their models are photographed with a scenic base and background and I quite liked it.
So here is my take on it.
The base was a square of polystyrene with some blue foam details. This was then coated in PVA glue and coarse sand added for texture. This was painted with some dark brown household emulsion paint.
Then it was drybrushed with two more colours of emulsion.
I went a little low-tech with the sky backdrop. I used a diffuser tube, a kind of crude airbrush, figuring that the coarse splatter wouldn’t be seen.
On the reverse side of the sky backdrop I made a chaotic mix of colours. My main problem was that the card was not dimensionally stable and warped like mad. So I had to dry it like this.
Here is my set up. My camera is a Pentax istD. I went down the Pentax route as I have a large number of Pentax lenses from my time as a photographer in the Eighties. The soft-box and lights are from an eBenk WSB-342 studio kit that I bought for this purpose. The one thing I have done is to change the bulbs to LEDs as they don’t run as hot and don’t use as much electricity.
Here is the first attempt. The lights give a yellow cast, I haven’t as yet managed to source daylight bulbs, the white balance in camera is set to “Tungsten” and but a bit of tinkering in Photoshop (minimal, one slide of the colour balance) solves this.
Some trees in the background.
Now the chaotic sky.
So far the problem with this is the depth of field. There is far too much of it.
So I dropped the aperture right down and this is the result. There are some very minor adjustments to be made, but I think I’m pretty close.
Now to write down what I have done so I can continue to be consistent.
The model used for photography is from Ramshackle Games.